The Symphonia Series presents itself as an exercise in the transfiguration of form and gesture. It originates from figurative works but unfolds into abstract compositions created from the tapes used during the original painting process. These tapes, imbued with color and intention, are removed and gain new life as autonomous fragments. They are not remnants, but rather meaningful traces—like visual scores—that carry the rhythm, harmony, and timing of the parent work.
Within this creative cycle, one can recognize a metaphor for life itself: the attempt to compose with the unexpected, to find meaning in unpredictability. Symphonia transforms the unforeseen into a gesture of beauty and reinvention, showing how—even from what escapes control—it is possible to build a coherent and moving visual narrative. The series continues to grow, accompanying the evolution of the artist’s work—a symphony in constant expansion.
